We live in a world of infinite possibilities

and gods now seem mundane,

where my words have history holding

their backs as bastions of echoed time.

Where your body holds the image of literally 

every pleasure held before you.

Such an immaculate, divine shriek of the tear

in the fabric of fiction that birthed everything.

If your legs grow numb, focus on the floods of pleasure

between them in the negative space

accentuated by my fingers, tongue, and obelisk.

If your chest burns, embrace the fires of Rome

and let me incite them further with a thunderstorm

of unmitigated, unabated touching, kissing, licking.

If your head beats, dance to that kick snare and clap your

hands together around my obsidian back as I plummet into you.

We make love like phoenixes.

We argue like the blind, weak, pitiful bastards 

of the willowing alleys. 

But when we hear each other’s voices they took from us

we blare the bells and clarion calls and weep until we seep

into the melted stardust of our skins.

Drown me with your years.

Chip away at me until only death can grasp my image.

Dig your nails into my skin until I release the sin inside of you.

Let us watch humanity evolve like never before

but in complete boredom, unimpressed with their late progress

to a regal rise we have known since we knotted together.

I could have been born among artists and humanists in the renaissance

but my life would be short

and my multitude of questions gone unheeded;

my love, an addiction to Venetian maidens.

I could have been born under the tip

of your last name, and not have known it

— Caesar leading Rome with one foot on a

pedestal he built higher and denser than clouds,

then dropping out every ounce of himself once in a while

to write poetry for his dear love and goddess

The work of peasants and tyrants is the same. 

The food for merely different guts they starve for. Burning veins

fueled with the same longing desires, wild ideas of pride or shame

spreading through their brain and climbing down their bodies

like infested moss or poisoned roots

as they struggle to balance the rocks they carry.

But gunpowder rubbed softly on seeds

helps keep insects and toxic substances from being

soaked into a plant, subsequently. My tree, my lovely forest,

I am obviously, or want to be, your gunpowder.

I could have been born in the Industrial Revolution. 

But my only memories would be trying to connect

to women in shallow port cities 

over our book tastes. Instead,

my mass of stupidity, curiosity, anger

and immaturity found you.

And my humanist art of literature

spreads like a bold, black eagle; it’s cogs and gears

grind while the wings flap wildly to life. For you.

I could have been born 

under the Roman eagle, glorious

and powerful — E pluribus unum. 

One out of many is more like my one and only:

I owe you the world.

From the Northern lights to the Southern Cross.

The Wild West and Holy East. The depths of history

basing back to the birth of the universe,

showing you how insignificantly significant you are,

that you are made of stardust, and are a miracle to say the least.

I will not stop until I give back what you give me

My bright center of creation and creativity,

your presence is the present that keeps 

on giving, infinitely.

The palm trees

play games with me

I turn my head one way, then

another

And they flap their fronds like

wings

When walking, my feet

grow wide as a scuba divers flippers

The path becomes 

long

Like being delved into 30 ft deep

water

When my air suddenly

stops working

My heart does not beat

on time, my head is no buoy

The mask I have worn

since I first claimed 

existential discovery

now does not emit my 

recovery but

Rather feigns disbelief

as it fills bubbling

My palm frond friends on

land still laughing

because they can’t really

fly to save me

It’s all a game anyway,

just keep swimming

The ice drops down the glass as

flames pour up a Venturi of steel

“Oh, look just behind the angel

on top of the cabinet

It’s there somewhere”

Stuck with the sense that nothing’s

ever where you left it

Fuel for the findings where a housewife’s coworkers 

would be: the drone bees that don’t work for the queen

but buzz inside vaccums

“Honey,

you really need to get back here and

clean up these dust-bunnies”

The space                       in between

them and this finely grained heap—

of animal hairs and textile fibers, light debris

and rubbish, minerals and human skin cells, all held

together by static and felt-like entanglement

—was somewhat of a precursor for planetary systems

Men are from Mars, Women are from Venus

But what about (Freddie) Mercury?

           HellOo, Earth to binary oppositions? 

“Please hold.”

While Mars is larger, Mercury is proven to have a higher density

This results in the two planets having a nearly identical

gravitational pull on the surface

Oh, ho, the contrast

but as it is contested

Mars learns to manipulate it’s surroundings

with considerable clout and stout 

and reevaluate itself to a display of stoicism

as the god-like planets are subject to

being situated so far from the sun 

While on the other side of the spectrum,

the highest reactivity and intensity combinations

constrain themselves to calm down, and learn to present themselves 

as objects to be viewed and underestimated; as only right

when others follow the light of the Morning Star to find their way

               ”Yes, hi, thank you especially for putting me on hold so long. I’d just like to ask if you’ve ever considered switching your theory out with binary stars instead?”

Frankly, Mother Nature, Father Time, and I

prefer the Laws of Physics to Structuralism 

And by the sudden reignition of nuclear fusion

in a degenerate star such as myself, 

I will compound with my symbiotic nova companions

and we will collapse into each other to the point

that gravity will prevent anything, including light, from escaping

I cannot believe I was particularly difficult to manage

That a kindly word, a gentle hold of the hand, a friendly look

could not have gotten me to do anything you wanted

The state or phase of any given set of matter

can change depending on pressure and temperature

transitioning to other phases as these conditions change

to favor their existence

Take a child senselessly asking for water:

the extraordinary state of the matter being

unnecessary, when you beat them to a pulp

then stir their soul a little, transforming them

naturally, into a liquid.

At this point, it’s only the reaction

to be vaporized or condensed

into a gas, and intermolecular attractions

have relatively little effect on their respective motions;

organized by intensely different forces.

You can treat a child only in the way you yourself are constituted 

In this case, with vigor, noise, and hot temper for experiments

combining the dependent variable with complete control

and subordination

such behavior that seemed to be most appropriate

to raise deal with a child certain product

of no existential significance, due to difference;

And well, that’s science kids! 

My blotchy appearance

catches peoples eye

but my deep, coagulating, red hue

scares them off instantly.

Little uniform diamonds sit on top of me

from the steps of teenage spirits.

My texture is like pavement:

cold, hard, and jagged.

I spread across the ground; I am cancerous

Give me wind, rain, dew or sugar

and I grow like a tumor

without treatment.

As the soulless metal of machines,

doors, and trash compactors becomes ancient,

I plant myself into their systems

conquering the sleek look that the metal no longer has.

I will erode them —

I take no one for granted;

nothing is safe.

 574
06 Nov 12 at 7 pm

Charles Bukowski, Regardless (via neuromanticism)

(Source: ambit-line, via neuromanticism)

"

the nights you fight best
are
when all the weapons are pointed
at you,
when all the voices
hurl their insults
while the dream is being
strangled.

the nights you fight best
are
when reason gets
kicked in the
gut,
when the chariots of
gloom
encircle
you.

the nights you fight best
are
when the laughter of fools
fills the
air,
when the kiss of death is
mistaken for
love.

the nights you fight best
are
when the game is
fixed,
when the crowd screams
for your
blood.

the nights you fight best
are
on a night like
this
as you chase a thousand
dark rats from
your brain,
as you rise up against the
impossible,
as you become a brother
to the tender sister
of joy and

move on

regardless.

"

Your words: a swamp

-inundated, burdened, shallow

The hands of Life drench and submerge me

to render helpless

The ring around my finger, ring around my eyes, ring around my neck

where the skin rubbed dry

The skyscrapers amber-lit windows are beads on a vertical abacus

reckoning the city’s insomnia, toting like photons up its sins

Holes in the dark architecture, the faintest light peaks through,

it is worn to the brim and tainted just for me to

Circumnavigate

the city for hours, recalling the scarecrow in the meadow

someone mistook for a crucifix

As my foot mindlessly obeys-slow for yellow, stop for red

color is the babel of the eyes

They’ve said

there is a verb tense for what was going to happen but didn’t

-when you’re the slightest bit late for your meeting with the pathogens

and someone takes your place

A space

for an enzyme, your brain relinquishes a memory

A peculiarity

distinguishing comprehensive and vigor from mortality

An excuse

for the time you missed your flight because you were ravingly imbued

to fetter and fight

Then the light

goes green, and you drive on without notice

The city hides it’s horizon, conceals it’s vanishing point

fractal of a planet you cannot fall off of

 226
04 Oct 12 at 6 pm

Kristina H., “I Was Ten” (via fleurishes)

"First,
endless blue.

Then,
steel like knives—
sudden and swift like a blade.
These edges cut at the sky.

The earth moans.

Screaming in the newsroom,
a shaky hand,
the screen paneling backwards.
It’s too fast. The lines blur.

The first wound:
all sharp teeth and ragged edges,
plumes of smoke leaking out like tears,
like blood,
coating the sky an acidic gray.

So much smoke it chokes the sky.

Slowly the first tower bends as if
it’s going to be sick;
a college sorority girl begging for
a friend to pull her hair back as she vomits
into the toilet bowl.

There is no one there to hold her.
The realization is sharp,
metallic.

It is bitter.

There is too much pandemonium on the streets.

People below.
People within.

People who know their time is up.
They accept their fate with open arms. Say a prayer.
They believe in God today. What can it hurt?

Eyes close.
It won’t hurt if I don’t look.

And they step off the edge of the earth.

It is not until after that we realize there’s a second plane.
It sneaks up on us, an assassin.
It creates another gaping wound
for which there is no gauze,
no antiseptic.

This kind of pain blazes.

This sister, this twin,
she will fall and does.
There is no fight left within her.
She bends as her sister before her.
She prays. She knows.

God is busy today.

Her end does not come as quickly,
but it comes.

She is dressed in gray. Her dress is smoke.
She is on fire.

We press our hands to the television screen,
trying to reach those who are trapped.

Imagine
not being able to see the sky again.
Imagine knowing that.
Imagine not knowing that.

Our mouths hang open.
We taste the smoke.
It coats our lungs,
steals our breath.

So much smoke.
It is a sea.

We are mermaids swimming in our own grief."


04 Oct 12 at 1 am
tags: poem  poetry 

One of my wisdom teeth has never come to terms with growing up until now

Now that it does, it has the proclivity to not being straight, like me

and clashes against all other teeth unintentionally

knocks them into one another

makes them feel as hurt and crooked as it does

My body is a cavity;

how hollow and lachrymose, the half of me

that fervently chomps down buildings, glass windows and all

that hums for the taste of enshrouded sweets

as I myself am already artificial

Swishing back and forth every memoir I’ve ever swallowed

while my mother washes out with her antiseptic alcohol

My father, not stopping to brush his teeth, much less think 

on autopilot, discerning the dawn in a dream

My sister, that picture perfect smile you see on TV

as she belongs behind a screen of complacency

brushing her teeth as a past-time, instead of routine

My brother, caustic and scathing

as a sharp bite into the tongue

motives impalpable and overall unhygienic 

as a self-indulgent infant

spoon-fed pleasure invariably, without recognition

All coming back around to the gum-looking fixation 

stuck in all our heads

filling and spilling out all sensation, perception, emotion

a million chain reactions going off at once

that we’re not even aware of. I now know things

that would have never passed my mind

around this time a year ago

My mouth is shut more often, though I am more open

when something does come out

My body is a cavity, but my wisdom teeth are growing in

The man who never wears a shirt

sits on his second story porch smoking Arturo Fuentes

and tries to drop them on my head as I pass

The woman two doors down

never resists the urge

to pick up every leaf that falls to the ground

The whole neighborhood knows about

the family who keeps their monkey in the garage

the college kids who grow pot in their backyard

but probably not about the devoted father

who beats his children senseless

each night he gets home 

or the nurse mother with a substance abuse problem

who’s absence and inattention prompts the man next door 

always working on his house or garden

to deconstruct and deflower her little girl after school

High school history teacher and long time scholar Mr. Wells 

has a problem when he can’t help but scream out 

in the middle of class because the Austrian government is after him

As well as the good ole inured principal, former lieutenant  

who’s flash back memories not only erode him

but more than often compel him

to conduct himself over the intercom as he would in combat

or regard a student as the enemy

who goes running to their guidance counselor or mother

that assures them every time they’re just mean and crazy

-disorder and disfunction

patterns, anomalies

birthed from distress or disability

raised in the dark dormitories 

where something went wrong in their brain chemistry

If you open the door and wait, you’ll see

the madness creaks out of you too

 18
29 Sep 12 at 10 pm

resist-psychicdeath:

Peach-faced harpsichord,
a reverie and a riverbank.
Two sisters tunnel under
the whale-songs.

Sound agreed: we’re
strange things, dressed
in sin, and filmy sheets.

Then she lost her teeth.
We undressed her
‘til an angel showed

its skin—no skin,
just light and
straw-colored fur.

: Throwing out the old European paintings
 4
29 Sep 12 at 5 am

oscillates:

I spend a lot of time under the earth

Becoming friends with lava and the

Three muskateers – sediment, rock rock

Salt salt and horse: the triumvirate of

my soil, rooting me like mathematics

or plants, germinating like a wildfire,


and you’ll remind me of a bougainvillea –

which is…

oscillates: because everything is abstruse and beckett is absurd
 18
27 Sep 12 at 6 pm

Anaïs Nin, Collages (via her-rabbits)

(via fuckyeahanaisnin)

"

‘You know, my dear Judith Sands, I am not here to frighten you, or violate your privacy. I am not a man visiting a woman. I am a man with a profound love of words. In the words of the Talmud: “Kaká tuv… It is written.” I know you do not like strangers; but, just as you are no stranger to me, I cannot be a stranger to you because I feel that, in a sense, you gave birth to me. I feel you once described a man who was me before I knew who I was, and it was because I recognized him that I was able to be myself. You will recognize me when you see me. I am sure you have already recognized how I think; this mixture in me which makes me feel my way through experience as women do, and yet talk even when I do not wish to talk like an intellectual, a scholar (which is mockery as I do not believe that they know as much as the poet in his delirium). I have grown grey hairs waiting to meet you. I could not find your address or anyone who knew you. Then a taxi driver told me he had just driven uptown a woman who talked as I did, with a man with an English accent, and he said they were going to the opening of his cocktail party; and then I knew you were in New York and had been with T.S. Eliot. Every word you wrote I ate, as if it was manna. Finding one’s self in a book is a second birth; and you are the only one who knows that at times men behave like women and women like men, and that all these distinctions are mock distinctions, and that is why your doctor put on a wig when he wanted to talk about his loves, and I don’t know why Thomas Mann wrote about Transposed Heads for there are other transpositions of far greater interest, and your story is the most accurate in the world.’

No answer.

But there was a creak of a chair, and a soft footstep on the floor behind the door. Doctor Mann added: ‘I am leaving my gifts to you on the door mat. I hope you like champagne.’

‘I don’t drink,’ said a low, deep voice behind the closed door.

‘Well, you can offer it to your friends. Tomorrow I fly back to Israel at nine in the evening. I will come again at five o’clock. Perhaps you will open your door to a man who is going away. And you will see I am no stranger. Remember this, it is good for a writer to meet with the incarnation of a character he has invented. It gives him an affirmation, a substantial proof of his intuitions, divinations. Here I stand before you, talking as you said I might, and reminding you that what may have seemed a ghost in a dream, in your smoke-filled heart at night, is a man who got his knowledge and his degrees from books in a cell in Siberia, and who translated you by the light of a candle.’

‘Come back tomorrow. We’ll have coffee together,’ said the voice.

The next day he came. But there was no answer to his knock and so he began his monologue: ‘When you deny me the presence of a writer, you really deny me a part of myself that has not yet been born, and whose existence I need to believe in. I always wanted to be a writer, but I talk too much, it evaporates, or it may be I have not yet decided whether to write as a man or as a woman. But you have been my writer self writing for me. I could talk wastefully, negligently, only because you were there preserving and containing my spirit. When you deny me your presence, you commit spiritual murder, for if I have been for years talking with your words, spending them lavishly, extravagantly, it was only because I believed I could always renew myself at the source. You may feel this was an imposition. No one should be forced to carry the unfulfilled self of another. But if you are so skilled with words and have already written me, in a sense you have stolen me, and must return what you stole. You must come out and say: “I will go on writing for you. I will be your articulateness. I have given birth to you and I must grant you the fullest expansion of speech.” And you need me, Judith Sands. You must not stifle yourself behind closed doors. Solitude may rust your words. Silence is not your element. It will asphyxiate you. We need each other! We are indispensable to each other. I to your work and you to my life. Without me spending your words you may not be incited to mint new ones. I am the spendthrift and you the coiner. We cannot live completely apart. And if I speak your character on perhaps a lower key than you had intended, even perhaps with a few false notes, it is because I have never met a writer with perfect pitch. If you refuse to talk to a plain man like me, your ambiguities will become intolerably tenuous, like the end of your book, which I do not understand.’

"

 703
25 Sep 12 at 12 am

“Last Night at the Library”, Traci Brimhall (via atomiclanterns)

"You recite the bones of the body
as though it were a poem.
Patella, femur, coccyx, your eyes
closed, head weaving slightly
as you travel up the body.
Before you can arrive at
the cranial borders, I put
down Conrad and lean
against you. You ask what
I’ve been reading, and I tell you
it’s the death of geographical
mystery, when the last white patches
of the atlas were shaded in
and the dark corners of the world
were given names. Maybe
we shouldn’t know where
all rivers begin. Maybe there
should be some native tongues
without translations. I want
to hear drums in the jungle,
I say, to hear the Earth’s
wild heartbeat. You press
my head to your chest
and help me navigate the pulse,
atrium, ventricle, aorta,
as I close my eyes and discover
a land where true believers still
eat the bodies of their gods."